Major Types of Gosho-Ningyo
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Dates
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Characteristics
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Example
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Saga-ningyo (pre-cursor of the gosho-ningyo)
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begun in the late 16th C and peaked in late 17th-18th C
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Completely covered in gofun. "Clothing" is sculpted of gofun, gold powder with red and green as additional colors. There are 4 types including a seated child reminiscent of young Buddhist novices, figures from religion and folklore, naked children, and ordinary townsfolk.
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Haihai Gosho-ningyo
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traditionally identified as the official initial gosho-ningyo beginning c 1716
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crawling baby with simple face, real or silk hair, simple stuffed bodies. Often used as talisman to absorb evil influence and given to families of newborns for just this purpose
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Mizuhiki-de Gosho-ningyo
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late 18th C early 19th C
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designed for formal or celebratory gifts, a presentation ribbon was painted on the forelock.
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Karakuri Gosho-ningyo
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arms are attached through the hollow body to a lever in the back which allows the arms to raise and lower, moving the object held in the hand toward the head
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Mitate Gosho-ningyo
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Dolls that "parodied" characters from history, literature, legend or theatre
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Tachiguri-ningyo
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appears c 1764-72
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standing figures from history, Noh, Kabuki, puppet theatre and other aspects of Japanese culture.
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Daimyo youth depicted as ningyo
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Daimyo-mono refers to particularly exceptional execution of gosho ningyo popular with the daimyo or feudal lords
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No-ningyo
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late 18th C
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mitate gosho-ningyo based upon Noh themes and plays. Frequently quite tall as opposed to the classic gosho-ningyo. While Noh theatre used masks as an integral part of the story, the dolls did not use masks (as in the theatre) but used groups, accessories and textiles to tell the stories well known to the viewer. While most gosho ningyo were young boys, the No form allowed the depiction of girls as well
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Fuzoku Gosho-ningyo
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gosho-ningyo that focus on costume, often identifying one of the three upper classes of merchant, samurai or nobleman
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Wakagimi Gosho-ningyo and Himegimi Gosho-ningyo
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Himegini appears in the late 18th C
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Wakagimi (prince) and Himegimi (princess) dolls were play dolls of the upper classes esp the noble and samurai classes (the merchant class was considered more common). The dolls are usually depicted standing with clothing of their class, often including family crests. Long bangs indicated a youthfull boy as opposed to the Western impression of a girl. The hair is then styled in the manner of adults or the court.
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Mitsuore Gosho-ningyo
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early 19th C
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Triple jointed dolls with joints at the hips, knees and ankles. While the structure of the joints varied somewhat, the overall balance of the doll combined with the joints allowed most dolls of the Edo period to stand unaided. Later Meiji period dolls are not as well balanced. Some dolls were also nodders (kubifuri). The nodding mechanism was similar to the Western concept of the weight to open and close the eyes. However, for the nodders, the weight is enclosed in the body allowing the head to pendulum forward and backward.
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Gofuku-no-inori Gosho-ningyo
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Gofuku-no-inori means "good luck prayer palace dolls". These dolls tended to be small and simple, dressed in a simple bib which was often glued to the figure. They usually held small items representing auspicious wishes. They were often honored on the household altar. These dolls directly link the Japanese concept of the child and good fortune.
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