Gosho ningyo
Gosho-ningyo or palace dolls:
were generally depictions of pudgy little boys about 3-5 years old engaged in active play.  They symbolized good wishes and
were often given as gifts within the court circles for many occasions including celebrating the birth of a child, gifts of recognition
to visiting feudal lords or special gifts to the lower classes.  According to Pate:  "The particular love of the Japanese for the
gosho-ningyo reflects an appreciation of the innocence of childhood and an attempt to continue to view the world through the
child's eye long after the eye has matured into adulthood."  

The small dolls are generally carved from wood in one piece.  They were frequently carved in three equal sections: the head,
the arms and the legs.  This tended to make the heads appear particularly large with very small features.  Often the gofun is
burnished over the entire doll.  They are frequently sexed and usually boys.  They are often presented with small toys and in
active play positions.  They usually wear clothes and if they are minimally clothed, the garment is a bib known as haragake.  

As with any type of doll that persists over time, the gosho-ningyo evolved to perform many functions in the culture.  This is the
classic Edo period doll developing in the late 1600s and early 1700s.  There are many forms with distinct characteristics:





















































































































Gosho-ningyo were very popular among the court but also as gifts outside the court.  As custom of the late 1600s and early
1700s, visiting daimyo (akin to European feudal lords) would send gifts of tribute to the imperial court.  In exchange, the court
would give gifts of gosho-ningyo in recognition of the tributes.  Generally the ningyo were seated boys wearing a bib or more
elaborate clothing with painted, silk or human hair with a special object in hand or carved as part of the figure.  The special
object was symbolic of good wishes from health and longevity to fertility and martial prowess.  The many items representing
these wishes included battle fans, toys, animals, and boxes among other things.   This form of doll is the "play" doll depicted in
wood block prints of children playing.
Major Types of
Gosho-Ningyo
Dates
Characteristics
Example
Saga-ningyo (pre-cursor
of the gosho-ningyo)
begun in the late
16th C and
peaked in late
17th-18th C
Completely covered in gofun.  "Clothing" is
sculpted of gofun, gold powder with red and
green as additional colors.  There are 4 types
including a seated child reminiscent of young
Buddhist novices, figures from religion and
folklore, naked children, and ordinary
townsfolk.
 
Haihai Gosho-ningyo
traditionally
identified as the
official initial
gosho-ningyo
beginning c 1716
crawling baby with simple face, real or silk
hair, simple stuffed bodies.  Often used as
talisman to absorb evil influence and given to
families of newborns for just this purpose
Mizuhiki-de Gosho-ningyo
late 18th C early
19th C
designed for formal or celebratory gifts, a
presentation ribbon was painted on the
forelock.  
Karakuri Gosho-ningyo
  arms are attached through the hollow body to
a lever in the back which allows the arms to
raise and lower, moving the object held in the
hand toward the head
 
Mitate Gosho-ningyo
  Dolls that "parodied" characters from history,
literature, legend or theatre
 
Tachiguri-ningyo
appears c
1764-72
standing figures from history, Noh, Kabuki,
puppet theatre and other aspects of Japanese
culture.
 
Daimyo youth depicted as
ningyo
  Daimyo-mono refers to particularly exceptional
execution of gosho ningyo popular with the
daimyo or feudal lords
No-ningyo
late 18th C
mitate gosho-ningyo based upon Noh themes
and plays.  Frequently quite tall as opposed to
the classic gosho-ningyo.  While Noh theatre
used masks as an integral part of the story,
the dolls did not use masks (as in the theatre)
but used groups, accessories and textiles to
tell the stories well known to the viewer.  
While most gosho ningyo were young boys,
the No form allowed the depiction of girls as
well
 
Fuzoku Gosho-ningyo
  gosho-ningyo that focus on costume, often
identifying one of the three upper classes of
merchant, samurai or nobleman
 
Wakagimi Gosho-ningyo
and Himegimi
Gosho-ningyo  
Himegini
appears in the
late 18th C
Wakagimi (prince) and Himegimi (princess)
dolls were play dolls of the upper classes esp
the noble and samurai classes (the merchant
class was considered more common).  The
dolls are usually depicted standing with
clothing of their class, often including family
crests.  Long bangs indicated a youthfull boy
as opposed to the Western impression of a
girl.  The hair is then styled in the manner of
adults or the court.
Mitsuore Gosho-ningyo
early 19th C
Triple jointed dolls with joints at the hips,
knees and ankles.  While the structure of the
joints varied somewhat, the overall balance of
the doll combined with the joints allowed most
dolls of the Edo period to stand unaided.  
Later Meiji period dolls are not as well
balanced.  Some dolls were also nodders
(kubifuri).  The nodding mechanism was
similar to the Western concept of the weight to
open and close the eyes.  However, for the
nodders, the weight is enclosed in the body
allowing the head to pendulum forward and
backward.
 
Gofuku-no-inori
Gosho-ningyo
  Gofuku-no-inori means "good luck prayer
palace dolls".  These dolls tended to be small
and simple, dressed in a simple bib which was
often glued to the figure.  They usually held
small items representing auspicious wishes.  
They were often honored on the household
altar.  These dolls directly link the Japanese
concept of the child and good fortune.